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Meaning Of High Concept Idea in Screenwriting

Meaning Of High Concept Idea in Screenwriting

The high concept refers to any thought: bike design, toothpaste, cooking, comic books, novels, and movies—the list is endless. High concept is regarding essence; that instinctive thing that seizes you by the scruff of the nape and doesn’t let go. From a writing prospect, a story notion that is high concept captures the reader’s or viewer’s vision, stimulates their senses, get’s them to examine “what if,” and sparks them to begin visualizing the story even before they have rendered a word. The high concept encourages the commercial book business, as well as the cinema and television businesses.

 

 

A high-concept idea has the following qualities:

The high grade of authenticity:

What does it expect to be authentic? Some familiar words correlated with originality are different, new, innovative, original. Think of authenticity as approach-centric. The concept may be combined in familiar circumstances, but the approach (original take) attempted to get to that natural context has never been practiced before.

 

High level of uniqueness:

Whereas originality is about the approach and young perspective, uniqueness is thereby being one-of-a-kind, first time, and exceptional. Being unique can also include uniqueness, but being unique transcends also originality. Sometimes this is accomplished in the content or in the accomplishment of work.

 

Highly visual:

High-concept ideas possess an optical quality about them that is obvious. When you read or listen about a high-concept approach your brain starts conjuring visions and you actually see the idea unwind in your mind. This is why high-concept novels make such excellent films when accustomed. Books with cinematic descriptions are essentially always high-concept narratives.

 

Possesses a distinct emotional focus:

Like imagery, high-concept thoughts spark emotion, but not simply any emotion, usually, it is a primal sentiment: panic, happiness, hate, love, anger, etc. There is no wishy-washy passionate engagement of the reader. The embroilment is clear, prompt, and intense.

 

Possesses mass audience interest:

The idea attracts an audience ahead of friends and family. The aimed market is broad, distinct, and large. Some ideas are quite a niche, pleasing to a particular demographic, but this is normally a large demographic. High-concept opinions are general ideas, mass ideas, and even trendy ideas.

 

Closure

When the notion of high concept is put in the connection of these traits, it becomes easier to see that commercial ideas and bookish(i.e., soft) ideas usually have a clear line of division. That line is the high concept. For better details on High Concept Idea in Screenwriting reach out to Radiance Vision.

 

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